I love the feeling of being in the middle of a painting and things are spread out all around my studio...I am in my element! The business of being creative gets messy sometimes. I like creative chaos. I just finished a stained paper collage. I thought it would be fun to share the collage process in its stages.
I stain/paint a lot of papers with watercolor. This takes time so I usually set aside a day to do this. I stain the
paper with primary, secondary colors and neutrals. I line the floor with
paper towels. I lay the painted papers on the floor to dry.
The Japanese papers are commonly known as Mulberry, Unryu, Washi Paper. Do I have a favorite paper...no. Do I have resource... no. I just buy papers when I find something that interests me. Some papers are transparent and others opaque. I suggest you do a word search for the papers I listed above and see where you can purchase some.
I draw the image on a 300lb piece of watercolor paper. I begin by blocking in the image with the stained papers. I use acrylic matte medium to adhere the papers to the watercolor paper. In the beginning the images looks rough but it is only the early stage
I have covered about half the watercolor paper with pieces of stained papers. I block in the large shapes first and tear the stained papers to get desired shapes. When I come up against small shape I’ll lay the Japanese paper on top of my drawing and use a wet brush to draw an outline. The paper will tear in a more controlled manner along the wet line. The collage paper should overlap the edges of other papers. The entire surface of the watercolor paper needs to be covered with collage.
Before I begin painting I need to unify the surface of the
collage. I use a 50/50 mixture of matte medium and water. I painted the
mixture over the entire collage and allowed to air dry before I begin
painting.
The technique of painting on a surface that is covered with
acrylic matte medium is very different than a traditional watercolor.
The surface does not have the same absorbency as watercolor paper. The
amount of water mixed with the paint and on the brush is decreased. All
professional grade watercolors work for this technique.
I use the technique of negative painting to suggest more leaf
shapes in the background. If you are unfamiliar with negative painting
use the "Search" bar to the right to read past posts on the technique
In the final stage I added additional collage leaves on the lowest pomegranate, cast shadows.
© Copyright, Brenda Swenson retains copyrights to all artwork. All images on this site are property of Brenda Swenson and may not be used in any way for commercial, financial or personal without prior written consent. All Rights Reserved for republication (printed, digital or painted) and anything but personal viewing of artworks on this site.
