A word of WARNING…Most watercolor societies DO NOT allow a painting with any kind of varnish in a show. If you decide to explore these options you may not be able to enter the painting in a desired show…do your homework first!
After reading an article in Watercolor Artists Magazine I realized Claybord might have more possibilities that I thought. The product is made by Ampersand and has been around for a while. Claybord comes in a couple different surfaces.
Let me show you what I learned. I did two small pieces to explore the surface. I used the 5 x 7 Claybord, Textured. I used my inexpensive brushes since the surface felt rougher then watercolor paper. And the surface isn’t absorbent so I didn’t need a brush that held a lot of water.
The rooftop scene in Santa Barbara was done by wetting the Claybord first and letting the paint float on the surface in the same fashion as wet into wet. The surface does not absorb like watercolor paper and it takes longer for the surface to completely dry. It has interesting qualities that I like.
With the Persimmons I left a lot of the Claybord untouched and let the white of the Claybord exposed. I like how the paint moved on the surface and the colors remained bright. The surface has very little absorbency so the paint remains on the surface. It was easy to glaze on and get the results I wanted. I specially like how easy it was to lift paint and reclaim whites.
KRYLON UV - RESISTANT VARNISH (Matte or Glossy)
It’s important to seal the surface so the image has a barrier from the elements (dirt, smoke…) and light. I used KRYLON UV-Resistant, Acrylic Coating. I applied 3 or 4 coats. Let thoroughly dry between coats.
In the video below you can see a side by side comparison of the matte and glossy finish.
You can stop here or go one step further. My painting “Kettles & Cups” (below) has the addition of Dorland’s Wax. Read below…
When I want a special finish I use Dorland’s Wax. It is non-yellowing and adds a soft glow to the surface.
Step #1 Seal surface of painting with a couple light coats of UV-Resistant acrylic varnish
Step #2 Scoop out a small amount of wax with a lint free cloth and apply it in a circular motion. As soon as your cloth "drags", scoop out more wax.
Step #3 Allow coat to dry 24 hours.
Step #4 Using a clean, dry and lint free cloth, buff the surface. You'll see a very slight sheen.
Step #5 Apply a second coat, let dry 24 hours and buff to a slight sheen.
|Kettles & Cups|
There's a lot of information available on the internet when it comes to researching products. I won’t pretend to know it all but I can share what I’ve learned along the way.
Have you seen the April issue of Watercolor Artist Magazine? I have an article called "All Toned Up". You'll see my demonstration that became the painting above, "Kettles & Cups". Hope you check out the issue and read my complete article.
The painting was selected to be in the California Art Club, Gold Medal Exhibition. Opening reception this weekend. I've been busy!